TITLE
MEDIA
DATES
June 16, 2022 –
...into the peripheral, reflecting
MEDIA
glazed ceramic, painted steel / ceramic 97 x 160 x 67 cm, beam 900cm
DATES
June 16, 2022 –
November 11, 2022
GROUP EXHIBITION
LOCATION
Nothing Is Permanent - public sculpture trail, E2022
LOCATION
Esch/Alzette, Luxembourg
The work of Vera Kox seeks to reconsider the essential nature of sculpture. In her artistic practice, the classic conception of a public monument – a solid, vertical
statue standing on a pedestal – makes way for seemingly soft materials, horizontal
compositions and found objects or situations whose meaning she alters. Following from
her interest in the physical encounter with the objects she conceives, the perception
of their weight, material and volume, she stages a play with illusion and a sense of
imbalance. Her works seem to have been caught in a transitional stage, a given moment
in an ongoing evolution, as if inhabited by a form of life.
Her recent works resonate conceptually with the idea of Symbiocene, according to which humanity must enter a new era where its impact on nature is greatly reduced, and acknowledge the profound interdependence between humans, objects and the environment. Adopting this perspective, the installation “...into the peripheral, reflecting” is situated in an area where the industrial landscape of the city and its natural environment meet. A series of ceramic shapes on a steel beam form the outlines of a fantastical creature, a mutant Narcissus looking at his reflection in the water. This hybrid being encourages us to reflect on what will remain when humanity has disappeared and to wonder which kind of species might appear on the planet it will leave behind.
Her recent works resonate conceptually with the idea of Symbiocene, according to which humanity must enter a new era where its impact on nature is greatly reduced, and acknowledge the profound interdependence between humans, objects and the environment. Adopting this perspective, the installation “...into the peripheral, reflecting” is situated in an area where the industrial landscape of the city and its natural environment meet. A series of ceramic shapes on a steel beam form the outlines of a fantastical creature, a mutant Narcissus looking at his reflection in the water. This hybrid being encourages us to reflect on what will remain when humanity has disappeared and to wonder which kind of species might appear on the planet it will leave behind.